作品名称：Poèmes barbares (1896)
艺术家：Paul Gauguin (法国, 1848-1903)
作品尺寸：64.8 x 48.3 cm
材质：布面油画
作品介绍
高更这幅画的模特可能是Pau'ura a Tai，一个14岁的女孩，1890年代生活在塔希提岛时，被艺术家描述为他的“本地妻子”。今天，画家与当地青少年的性关系受到了广泛的批评，他在法属波利尼西亚的一些同时代人也谴责他。这幅画也许是对1896年高更与Pau'ura a Tai的女儿死于婴儿期的回应。这个人物的翅膀、姿势和帷幔让人联想到圣母玛利亚和基督儿童的形象。但她不是用左臂抱着婴儿，而是保护性地抱着自己的腹部，强调了她的失落。左下角的塔阿罗阿（Ta'arroa）是大溪地的宇宙创造者，它的出现加强了这种出生和死亡的叙述。Pau'ura a Tai将她的目光从神灵身上移开，高更将神灵拟人化，呈现出不同寻常的儿童形态。女孩低垂的目光，加上她裸露的胸部，强调了艺术家和坐着的人之间权力的不平衡。（机器翻译）
Gauguin’s model for this painting was likely Pau’ura a Tai, a 14-year-old girl whom the artist described as his “native wife” while living in Tahiti in the 1890s. Widelycriticized today, the painter’s sexual relationships with local adolescents were also condemned by some of his contem poraries in French Polynesia. The painting maybe a response to the 1896 death in infancy of Gauguin’s daughter with Pau’ura a Tai. The figure’s wings, posture, and drapery evoke representations of the Virgin Mary and Christ Child. But instead of cradling a baby in her left arm, she protectively clutches her abdomen, emphasizing her loss. Reinforcing this narrative of birth and death is the presence at lower left of Ta’aroa, the Tahitian creator of the universe. Pau’ura a Tai averts her gaze from the deity, who Gauguin anthropomorphizes in an unusually childlike form. The girl’s downcast stare, coupled with her exposed chest, underscores the powerimbalance between artist and sitter.
高清图片下载
图片尺寸：4726 x 6374 像素
图片大小：14.58 MB
图片格式：JPG
水印情况：无水印
版权信息：公有领域，免费可商用
下载方式：直链下载（非百度网盘）
下载格式：Zip压缩包
部分中文由机器翻译，可能并不准确。
