破碎的柱子 The Broken Column

破碎的柱子 The Broken Column

作品名称:The Broken Column (1944)
中文名称:破碎的柱子
创作时间: 1944
艺术家:Frida Kahlo 弗里达·卡罗(墨西哥,1905-1954)
实际尺寸: 39.8 cm × 30.6 cm
材质: Oil on masonite
现位于:Museo Dolores Olmedo, Xochimilco, Mexico City, Mexico

作品介绍

机器翻译

《破碎的柱子》(西班牙语:La Columna Rota)是墨西哥艺术家弗里达-卡洛(Frida Kahlo)的一幅石膏板油画,画于1944年,当时她刚做完脊柱手术,以纠正她18岁时因严重交通事故而导致的持续问题。这幅画的原作被收藏在墨西哥墨西哥城Xochimilco的Dolores Olmedo博物馆。

与她的许多自画像一样,痛苦和折磨是作品的重点,但与她的许多其他作品不同,其中包括鹦鹉、狗、猴子和其他人,在这幅画中,卡洛是孤独的。她孤零零地出现在一片开裂和荒芜的风景中,象征着她的孤独和影响她生活的外部力量。就像地震可能使风景裂开一样,卡洛的事故使她的身体破裂。

在这幅画中,卡洛的裸体躯干被劈开了,复制了她身后被雨淋过的土地,并露出了一根摇摇欲坠的爱奥尼亚柱子,代替了她的脊柱。她的脸向前看,毫不畏惧,尽管泪水顺着她的脸颊流淌。尽管她的身体内部残缺不全,但她外部的性感却没有受到破坏。裹住她下半身的布被她抓在手里,这并不是谦虚的表现[4],而是反映了基督教关于基督被单的图示,就像刺穿她脸部和身体的钉子一样。钉子只钉在她的右腿上,因为她在年幼时感染了小儿麻痹症而变得更短更弱。

金属紧身衣描绘的是小儿麻痹症支架,而不是手术支架,可能是指她的小儿麻痹症历史或象征着卡洛生活中的身体和社会限制。到1944年,卡洛的医生建议她穿上钢制紧身衣,而不是她以前穿的石膏。所描绘的支架是弗里达一生中实际使用的许多支架之一,现在被收藏在她的家和博物馆Casa Azul中。

原文

The Broken Column (La Columna Rota in Spanish) is an oil on masonite painting by Mexican artist Frida Kahlo, painted in 1944 shortly after she had spinal surgery to correct on-going problems which had resulted from a serious traffic accident when she was 18 years old. The original is housed at the Museo Dolores Olmedo in Xochimilco, Mexico City, Mexico.

As with many of her self-portraits, pain and suffering is the focus of the work, though unlike many of her other works, which include parrots, dogs, monkeys and other people, in this painting, Kahlo is alone. Her solitary presence on a cracked and barren landscape symbolizes both her isolation and the external forces which have impacted her life. As an earthquake might fissure the landscape, Kahlo's accident broke her body.

In the painting Kahlo's nude torso is split, replicating the ravine-laced earth behind her and revealing a crumbling, Ionic column in place of her spine. Her face looks forward, unflinchingly, though tears course down her cheeks. In spite of the brokenness of her internal body, her external sensuality is unmarred. The cloth which wraps the lower part of her body and is grasped in her hands, is not a sign of modesty but instead mirrors the Christian iconography of Christ's sheet, as do the nails which are piercing her face and body. The nails continue down only her right leg which was left shorter and weaker from contracting polio as a young child.

The metal corset, which depicts a polio support, rather than a surgical support, may refer to her history of polio or symbolize the physical and social restrictions of Kahlo's life. By 1944, Kahlo's doctors had recommended that she wear a steel corset instead of the plaster casts she had worn previously. The brace depicted is one of many that Frida actually used throughout her life time and is now housed in her home and museum, Casa Azul. In The Broken Column this corset holds together Kahlo's damaged body.

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部分中文由机器翻译,可能并不准确。

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